Friday, May 9, 2014

Maria Elena Sandovici on Writing as a form of Personal Therapy @SandoviciME #AmWriting #Women #Fiction

at 12:00 PM 0 comments
I don’t meditate. I wish I did. Every now and then, I try, then give up again. One day, I might get better at it. After all, we only make progress by trying, failing, and trying again, right?
Until I get to meditate successfully, I know, at least, I have a few activities I engage in, that make me forget the whole wide world, and in that sense, are just as healing as meditation would be. Writing is one of these.

It’s such a privilege to get immersed in an alternate world, one of my own creation, and to allow myself to experience all sorts of things, without even leaving the room. As a writer, I can be anything I want. I can be my dog. I can be a man. I can be a millionaire, or a pauper, a flight attendant, a luxury prostitute, or a rock star. It’s an incredibly liberating exercise of the imagination, and an ideal escape.
Of course, at times, escape is not the answer. At times, we’d rather write about what bugs us, because the piece of paper in front of us, will listen, won’t judge, and won’t charge a dime. 

Sometimes, when I feel sad or frustrated with others – or even with myself -, I let my writing soak that in. My characters might go through sadness similar, or even worse, than mine. My characters might deal with difficult bosses, drama-prone friends, or their own inability to curtail their spending in the face of temptation. My characters might also do things I know better than to allow myself to do, and in a bizarre parallel universe, they might suffer the consequences of skipping town in the middle of a crisis, maxing out their credit cards, punching someone in the face, being rude and obnoxious, or going to bed with someone they know is bad for them.

In the end, my writing helps me deal with my almost constant struggle: I’m lucky enough to have experienced the rhythm, energy, and emotional vibration of many different places, some I have trouble letting go of. I’m torn, most of the time, between different lives I can see myself living, in different settings that appeal to me. I don’t think this is just the blues of the immigrant – besides, I don’t really see myself as an immigrant, but rather as a citizen of the world -, but rather the melancholy of travelers in general, of people who love discovering the world, but might have to pay the price of knowing that there are many places where they feel they might belong. My best tool for dealing with this particular problem – my desire to not just see the world, but live in different places, have a more intimate experience of them, and make them my own -, is writing. If I can convey some of the emotional resonance a place has with me, through my fiction, this does not begin to liberate me of my longing to be there, but it does bring a certain comfort, and opens up a whole new can of melancholy, which I can then savor, at leisure, with the gusto of an internationally-traveling drama queen.

dogs

Liliana is the disappointing daughter of hardworking immigrant parents. She is a girl looking to be rescued from her own insecurities and bad decisions. Unable to afford rent in New York City proper, she is craving a life of luxury that isn’t hers, while subsisting on bagels and coffee. In desperate need of support - emotional and otherwise -, she clings to potential saviors, never bothering to question if the attachments she forms really fit her.

In a parallel storyline, her mother, Maria, is trying to reject all offers of help, especially those of her estranged husband, whose unexpected generosity forces her to revisit past mistakes she hasn't come to terms with. Enmeshed in her own drama, she doesn’t notice her daughter’s troubles until it’s too late. Desperate to keep Liliana from making a mistake that will alter the course of her life, Maria reveals her best-kept secret, a story so shocking it might have the power to jerk Liliana back to reality. It could, on the other hand, alienate her forever.

DOGS WITH BAGELS is a story about the American dream gone bad. It is also a story about mothers and daughters, about female friendships, the struggle to survive in one of the world’s most expensive cities, and women’s secret desire to have wild passionate sex with their exes. A cross between Bridgett Jones’ Diary and Sex and the City - with an accent! -, DOGS WITH BAGELS is as addictive as a trashy tabloid you can't seem to put down.

Buy Now @ Amazon
Genre - Contemporary Women's Fiction
Rating – R
More details about the author
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Sandy Nathan Shares Her Rules for Romance @SandyONathan #AmWriting #WriteTip #Fantasy

at 11:00 AM 0 comments
A while back, I wrote a romance, a first for me. In truth, all the books I write have romantic aspects, but in this one the love story was the focus. (The book is The Headman & the Assassin.) The mainstream romance genre has a whole lot of rules, which I find pretty funny. In real life, love and romance are two areas where predictable outcomes are the exception.

Actual romantic life is more like “the rules are, there are no rules” and “cut your losses before they cut you.” I prefer semi-reality. As an independent publisher, my romances don’t have to follow the conventions of the genre.

What are the rules of romance? In the romances published by the major publishers, plots are required to go like this: Boy meets girl. (Right away, you see the limitations of the form.) They fall in love, with lots of explicit sex. More than lots.

A terrible barrier comes between them: she discovers he's married and has six kids. He discovers she's got a terminal disease. They part, but struggle to overcome the Awful Barrier. (No sex in this part.) Then an elephant falls out of the sky and they’re really in trouble.

Many romance writers are really clever about getting their hero and heroine out of the pickle they're in. There's more explicit sex. They get back together, and the book ends.

We all know how realistic that is. What if they get together, get married and face the next forty years together? What’s that story like?

The industry has other rules. No one under 18 has sex, explicit or not. This bears no resemblance to real life. Drive by your local high school or walk through any shopping mall, and you will find absolute proof that kids under eighteen have sex. Often almost in public.

The romance industry says the book has to end happily, just like all romances everywhere.
Which is why we have independent presses.

My renderings of romantic feelings are outside the parameters of the traditional romance genre. That means that a happy ending is not guaranteed. (Though it could be happy.) This is like real life.
I will guarantee that an elephant will not fall out of the sky, though pretty much anything else might. You won't see what's coming and you can't second-guess the ending. The sex in my romance is steamy, though not particularly explicit. By my standards, anyway.

My work is character driven, which means you will want to marry the hero or heroine at the end. Maybe sooner than that. (I'm in love with Will Duane and Wesley Silverhorse, as well as Bud Creeman from Mogollon: A Tale of Mysticism & Mayhem.)

Good heavens, I’m in love with all of them. I fanaticize about Leroy Watches of Leroy Watches Jr. & the Badass Bull. And also Sam Baahuhd, hero of The Headman & the Assassin. 
I figure that if I’m not in love with my hero, why should anyone else care? If a character can’t make me swoon, what good is he? That’s not lust, that’s desire.

The warm fuzzy feeling I get when I write Sam or Leroy spreads all over my life, which is why people crave romance. Run a few pages past your eyeballs and bingo, a fantasy fulfilled.

These compelling characters are not so much fantasies as archetypes. An archetype is the original model for a particular type of person. These characters originate deep in the psyche and derive their strength from that. Archetypes move romance.

Many of them exist: the perfect lover, the witch, the really nice guy like you wish your brother was/had been. The seductress, warrior woman, warrior. The hunk. On and on, enough to populate all the romance in the world.

Long may they reside within us! Long may writers give them life and breath.

Mogollon

The Long Awaited Sequel to NUMENON: A TALE OF MYSTICISM & MONEY
WILL WE HAVE PEACE OR OUR DARKEST NIGHTMARES?

Will Duane owns the tech revolution. It's 1997; Will's been the richest man on the planet for twenty years. He can sway governments and ruin lives. Will's latest mission brings him into conflict with all that's holy.

He and his corporate hot shots reach their destination, a Native American spiritual retreat. Their luxurious motor homes enter the Mogollon Bowl, a geophysical anomaly where anything can happen. Now Will can spring his trap.

Grandfather, the powerful shaman leading the retreat, seeks a world where love is king, a world of peace and harmony. This vision has haunted him all his life. His corporate guest is the key to making his vision real. Grandfather knows exactly what Will Duane wants.

A malicious force steps into the action. Both men's hopes are dashed, as a sacred place becomes the playground of evil. A malevolent power tries to claim their lives and souls.

You won't forget this modern day fable, a high-speed, high stakes fantasy with visionary roots.

Buy Now @ Amazon
Genre - Visionary Fantasy
Rating – R
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Connect with Sandy Nathan through Facebook & Twitter

Tuesday, May 6, 2014

Handling the Business of Rejection by @ShelleyDavidow #AmWriting #YA #SciFi

at 8:00 AM 0 comments
So, you’ve written your novel and printed it out and it’s been through twenty seven drafts, and nothing, not a single word, is out of place. It’s been honed and crafted over the past two years, and your family and friends are asking the unanswerable question: so, when’s it going to be published?
Of course you can’t answer that yet, because you haven’t even sent it out. And even as you peel off the sticky stuff to seal the big padded envelope that will carry your novel to its destination, you can feel, bubbling under the surface of desperate hope and anticipation, a black cauldron of fear beginning to simmer: the fear of rejection. What if the publisher (who may have even requested to see the manuscript after reading an initial few chapters), rejects you?
After twenty-two years in the industry, and 38 books published by both big publishers and small independent presses alike, I can say with some certainty that being a novelist means in fact, to be in the business of rejection. Mostly. And that takes guts, or hide, or tenacity. And a certain amount of skill: we have to be able to discern things like, after ten rejections, is there a problem with the book, or a problem with the publishers, (perhaps I’m sending to big houses that are only accepting unsolicited manuscripts in very specific genres and I’ve mis-sent my book), or out of all the rejections, it’s clear not a single person has actually read my manuscript, or maybe the book really does fall flat and isn’t living up to what it needs to be. Here are a few tips to help minimise the number of rejections, and dealing with them when they come.
To Minimise the Sheer Number of ‘Dear Author, Unfortunately…’ letters: 
1) Choose publishers very carefully. Look at exactly what they publish and make sure it’s as close to a perfect match as possible.
2) Make sure your query letter specifically addresses why this particular publisher may find your book a good fit, and why you want to publish with them.
3) Dream big, but don’t pass up the opportunity of working with a small or mid-sized press. They often offer unparalleled dedication and commitment to making a success out of a book.
4) Submit to several publishers at once if you can find them. (Many publishers don’t want simultaneous submissions, but if you send out a novel to one place at a time, you may be 144 years old before your work is accepted). I’ve had thousands of rejections, and 38 acceptances and I’ve never had two publishers say yes to the same book at the same time!
Dealing with Rejection: 
1) Open a folder (either on your computer or in your paper filing cabinet) under ‘R’ for ‘rejections.’ Start your collection.
2) If there is anything more than ‘Dear Author, thanks but no thanks’ in the rejection letter, get over the disappointment of not being discovered as the next JK Rowling, and then be happy that someone thinks your work is worthy of a response! Read over the reasons for the rejection. Decide whether there are some points that seem helpful and/or true, which you could use to make your work better or more appropriate. Decide whether you have written something that you believe in, or whether this is best regarded as a practise run.
3) Finally, sometimes getting published is a matter of believing in what you’ve written so much, that you’re willing to wait twelve years through one hundred and eighteen rejection slips before you find someone who believes in your work. (Been there, done that!) Sometimes the only way to deal with rejection is to send your work out to another ten places so that it’s always out there.
The difference between someone who gets published and someone who doesn’t, is sometimes simply persistence! Good luck out there.

Lucy Wright, sixteen and a paraplegic after a recent car accident that took her mother’s life, lives in Queensland on a 10,000 acre farm with her father. When Lucy investigates strange lights over the creek at the bottom of the property, she discovers a mystery that links the lights to the science of cymatics and Scotland’s ancient Rosslyn Chapel.
But beyond the chapel is an even larger mystery. One that links the music the chapel contains to Norway’s mysterious Hessdalen lights, and beyond that to Saturn and to the stars. Lucy’s discoveries catapult her into a parallel universe connected to our own by means of resonance and sound, where a newly emerging world trembles on the edge of disaster. As realities divide, her mission in this new world is revealed and she finds herself part of a love story that will span the galaxy.
Buy Now @ Amazon
Genre - Young Adult SF
Rating - PG
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Saturday, May 3, 2014

Getting to Know S.M. Boyce (Grimoire Saga) @TheSMBoyce #AmReading #BookMarketing

at 12:00 PM 0 comments

What genre of books do you adore?
Fantasy is my favorite. I like just about anything magical or out of the ordinary.
What book should everybody read at least once?
Neil Gaiman’s Coraline
Location and life experiences can really influence writing, can you tell us where you grew up and where you live now?
I split my young-adulthood between Central Maryland and Tallahassee, Florida. Starkly different places. I now live just outside of Washington D.C.
Where do you get your inspiration from?
Life. Earth has so many incredible places, people, and creatures that it keeps me busy. Everywhere I go, I daydream about the people I see and wonder what their lives are like. That alone gets me tons of stories, but I also love to find beautiful and crazy pictures.
Do you plan to publish more books?
Yes! I have so many more stories to tell. I’m finishing up the Grimoire Saga and then I have a spin-off series that will tell the stories of some of the Grimoire Saga characters. After that, I’ve got other fun stuff planned for readers—including urban fantasy fairytales and even paranormal horror.
What else do you do to make money, other than write?
I own an online Marketing Maven and Virtual Assistant company called Montee Marketing. It’s loads of fun, and I help both entrepreneurs and authors establish powerful online presences and websites. I love it!
What other jobs have you had in your life?
Quite a few, actually. Diamond sales, software testing, management, retail (I sold candles!). But writing, marketing, and coaching are my favorite jobs. I love what I do.
When you are not writing, how do you like to relax?
I like to watch ghost shows. My current favorite is Paranormal Witness. Whenever I watch TV or a movie at home, I also like to wire wrap pendants. Some are even for sale in my store.

“The writing is flawless. The kingdoms and surrounding landscapes breathtaking. The Grimoire is a piece of imaginative genius that bedazzles from the moment Kara falls into the land of Ourea. – Nikki Jefford, author of the Spellbound Trilogy
Spring 2013 Rankings
#6 Kindle Store | #1 Science Fiction & Fantasy | #1 Epic Fantasy | #1 Sword & Sorcery | #1 Teens
Now an international Amazon bestseller. Fans of The Hobbit, The Lord of the Rings, and Eragon will enjoy this contemporary remix of the classic epic fantasy genre.
—————-
Kara Magari is about to discover a beautiful world full of terrifying things: Ourea.
Kara, a college student still reeling from her mother’s recent death, has no idea the hidden world of Ourea even exists until a freak storm traps her in a sunken library. With nothing to do, she opens an ancient book of magic called the Grimoire and unwittingly becomes its master, which means Kara now wields the cursed book’s untamed power. Discovered by Ourea’s royalty, she becomes an unwilling pawn in a generations-old conflict – a war intensified by her arrival. In this world of chilling creatures and betrayal, Kara shouldn’t trust anyone… but she’s being hunted and can’t survive on her own. She drops her guard when Braeden, a native soldier with a dark secret, vows to keep her safe. And though she doesn’t know it, her growing attraction to him may just be her undoing.
For twelve years, Braeden Drakonin has lived a lie. The Grimoire is his one chance at redemption, and it lands in his lap when Kara Magari comes into his life. Though he begins to care for this human girl, there is something he wants more. He wants the Grimoire.
Welcome to Ourea, where only the cunning survive.
—————-
Novels in the Grimoire Saga:
Lichgates (#1)
Treason (#2)
Heritage (#3) – Available Fall 2013
Illusion (#4) – Available Fall 2014
Buy Now @ Amazon & Smashwords
Genre – Fantasy
Rating – PG13
More details about the author
 Connect with SM Boyce on Facebook & Twitter & Pinterest

David Graham's (Lucky) Publishing Journey @DavidANGraham #JohnMurray #Thriller #TBR

at 11:00 AM 0 comments
The publication of Incitement was almost purely a stroke of good luck. In the space of six months, the book went from sitting on my computer, where it’d been for a few years, to being available in bookshops throughout Ireland and, subsequently, to all of the main outlets online.
Incitement had been completed over 3 years earlier. As most writers do, I’d eagerly set out to find an agent but then the rejections started coming back. Once the number of ‘no’s exceeded thirty I became disheartened and decided to put the book to one side for a bit.
Then for whatever reason, I picked it up, read it again and it immediately became apparent I was trying to tell the story from too many perspectives. Boiling it down to its essence I realized that there were really two characters I had to primarily focus on. What resulted was a far tighter, easily accessible manuscript. Once I completedIncitement, however, I never got around to resubmitting it. I would often point to other commitments such as family, work etc. as the reason but I don’t know how much of it was a desire to avoid further rejection.
I was driving to the office one morning in May 2013 after dropping the children to school when I heard an announcement on RTE Radio 1, Ireland’s national broadcaster. One of their leading programs was running a competition for unpublished authors with the prize being a publishing package. I deliberated for a while but in the end decided I’d nothing to lose and entered Incitement. I’d completely forgotten about the competition when a few months later I received a call telling me I’d made the shortlist of five from over 500 entries.
Despite being delighted to have made the shortlist, my expectations still weren’t particularly high. The competing books appeared to me to be much more in tune with the tastes of the listenership. Incitement isn’t a typical crime novel by an Irish writer in that it doesn’t feature Irish protagonists. The story begins with a series of violent incidents. A bloody massacre at a Mexican heroin refinery; a Miami-bound freight ship hijacked for its cargo of illegal narcotics; the assassination of a Kosovar drug lord – all pointing to a war between two drugs superpowers.  A DEA Agent, Diane Mesi, investigates and becomes convinced that the conflict is being orchestrated by an unknown third party but she’s marginalised by her colleagues and her judgement is challenged at every turn. On the other side of the conflict is Michael Larsen, a Danish ex-soldier who’s been hired to fuel the conflict until it destroys both sides. He hopes that bringing down the cartels will atone for some of his past actions. Neither Mesi or Larsen know, though, the full extent of what is being planned or the stakes involved. As they each pursue their own resolution, the violence escalates and they become increasingly isolated and vulnerable.
The finalists were invited on the air in August while the judges discussed the merits of each entry. One of the judges was Ferdia MacAnna, a BAFTA winning director and writer of a novel that had been adapted into a film with Jared Leto and Christina Ricci. Ferdia was very generous in his praise for Incitement, saying “… a page-turner, couldn’t put it down … I’m amazed it’s a first book, it’s like a 3rd or 4th from an established writer …. It’s a great book, if you like thrillers …”. To my absolute surprise Incitement won and, just like that, was going to be published.
WINNER THE JOHN MURRAY SHOW / RTE GUIDE / KAZOO COMPETITION
A brutal conflict unleashed.
Who stands to win?
A bloody massacre at a Mexican heroin refinery; a Miami-bound freight ship hijacked for its cargo of illegal narcotics; the ruthless assassination of a Kosovar drug lord – a war has erupted between two drugs superpowers.
As DEA Agent Diane Mesi investigates she becomes convinced that the conflict is being orchestrated by an unknown third party. But she is marginalised by her colleagues and her judgement is challenged at every turn. Only if she can expose the truth will she be able to stop the violence and save her career.
Michael Larsen is an ex-soldier and hired mercenary who has been contracted to fuel the conflict at every opportunity until it destroys both sides. As he battles his own demons, he hopes that by directing the violence he will attain some measure of redemption.
But neither Mesi nor Larsen know the full extent of the forces at play or of what is truly at stake. As they each pursue their own resolution, the violence escalates and they become increasingly vulnerable to the dangers that stalk them.
Incitement won the John Murray Show / RTE Guide / Kazoo Competition from over 500 entries.
Buy Now @ Amazon
Genre – Thriller
Rating – R
More details about the author
Connect with David Graham on Facebook & Twitter

Friday, May 2, 2014

Anna Klay on Symbolism, Motifs & Book Covers @AnnaKlayBooks #AmReading #Fiction

at 11:30 AM 0 comments
I created this cover in a rough form on a white board before I had it professionally drawn with the intention of conveying the emotion of the work.
Book cover designs should not only have enough creativity and originality to attract the eyes of a potential reader, which a cover must do with a slight glance, but the design also offers a hint to potential readers the genre, the style, the tone and content.  With Broken Wing, the cover was designed with the intention of portraying a dark story, edgy and somewhat turbulent.  And the symbolism within the story is introduced through aspects of the cover.
Every aspect of the cover from the colors to the fonts to the central image should be there for a reason.   And the cover should also be aesthetically pleasing to the eye.  After all, the cover is a representation of your work, and represents the writer to the reader.
Is the story a turbulent one with twists and turns?  Broken Wing is, and that is also represented through the shattered font style.  And this story takes place in a small town named Pettington located in the middle of nowhere which is illustrated in the landscape, but the theme of the story, abuse and how it affects us all, is not isolated to the small town in this novel, but instead it is a story we all know too well, and that is communicated by the barbwire fence that runs off the cover page.
There is much more to Broken Wing including the symbolism and the motif that the readers will discover and form their personal ideas upon, and I do not want to spoil that here.  But I will say that a writer owes it to their readers to present an image that can offer a realistic glimpse of the contents and leave an impression that will allow the reader to make a good decision about the material. And if the writer has spent the time to polish his or her work, he or she owes it to themselves as well as the reader to show that through the cover.

The Tarot predicts the journey as Ray Long comes to the town of Pettington hoping to leave his rage behind and begin a new life. And when he meets Skye Roosevelt, he begins to believe he can recreate himself and find his future in Pettington. But Pettington is no ordinary town with a metaphysical store that tells its future, a whore house that keeps it financially secure, and secrets long buried just beneath its surface. And soon Ray Long begins to spiral down into the pit of violence he has always known. 

He begins to hear the Devil whisper in his ear, and he soon discovers his old self is more soothing to him than the new life he’s created. And when he tries to murder two of Pettington’s own, Skye Roosevelt must search deep within herself for her own self identity in order to protect her son as Ray Long battles the past in order to separate the passion from the pain. Broken Wing is a story about an abuser who was a victim of abuse as a child. 

This is a story about his family relations, the need for love, the devastation of rejection, and the merry-go-round that keeps turning. And this story is about self-identity, a self-identity the character believes defines him, dark and rigid, until he is pushed to the extreme, only then can he step out and stand naked with this identity at his feet as he lays claim to the past that molded him and the passion that fills his heart.
Buy Now @ Amazon & Smashwords
Genre - Literary
Rating – PG-13
More details about the author
Connect with Anna Klay through Facebook & Twitter

Thursday, May 1, 2014

Starfish Prime (Blackfox Chronicles) by T.S. O'Neil @tselliot3 #AmReading #Action #Adventure

at 12:00 PM 0 comments
Wendover, Utah

Lindy Ray Boylin wore a dark brown duster: a long coat made of waterproof oilskin that was originally used by sheepherders and cattle men in Australia, but was recently popularized by the nihilistic set, an ever growing class of losers that exhibited an extreme sense of skepticism of established American values. His corpulent body was hot and uncomfortable, but that didn’t matter right now, as there were more important things in the mix. He wore a black leather skullcap and ear buds that ran to an MP3 player that played violent rap music at skull splitting decibels. A song called “Apathy” reverberated in his head as he purposefully waddled toward his meeting with destiny. The cap made his head sweat, but fuck it, it would all be over in a short while.

He had finally had enough of the soul sucking cruelty from the same cast of characters. The cocksuckers―the jocks and their groupies―had upped the ante on him. It was no longer limited to just making fun of his clothing, black eye shadow and nail polish, and he gravely vowed that he would take no more.

It was late afternoon on Wednesday and Lindy shuffled along Wendover Boulevard in the waning light of the late afternoon sun. He had told Ralphie to meet him outside the west entrance of the mall and ordered the younger, smaller teenager to, “Bring it with you.”
Ralphie Nunus looked up to Lindy. Hell, he looked up to almost everyone, as he was only four foot, eleven inches without the heavy black high heeled boots he wore. With them, he gained three inches in height, but as the other teenagers quickly learned, the slightest tip would cause him to lose his balance and fall. If that wasn’t bad enough, seventeen year old Ralphie already sported a rapidly retreating hairline.

Both of the teens were the result of illegitimate conception. Lindy’s mother, Linda, was a cocktail waitress at the Wendover Casino.

Lindy was the product of an early morning tryst with a particularly heavy tipper. Linda hadn’t even given a lot of thought to a name for the child; she just took her name, dropped the “A” and added a “Y.” The fact that she had given her son a particularly feminine sounding name totally escaped her at the time.

Ralphie had an even darker genesis―his mother had been addicted to both heroin and oxycontin and Ralphie was the product of a late night trick turned to support his mom’s drug habit.  An abortion would have taken valuable drug money away from his mom’s pocket; so she continued to use and turn tricks right up until the moment Ralphie was born―two months premature.

“Shit, some perverts actually pay extra to bang a pregnant whore,” he heard her say once. She had eventually straightened out enough to get hooked up with an ex-con biker who occasionally found work as a motorcycle mechanic.

She didn’t turn tricks anymore (unless you counted the times the mechanic lent her out to his associates), and she mainly confined her drugging to vodka with the occasional line of cocaine thrown in.

Ralphie took the mechanic’s forty five caliber Colt pistol—fearing Lindy’s wrath should he show up empty handed. The mechanic also had four loaded magazines and Ralphie took them all.

The scene in the hall of Wendover High still reverberated in Ralphie’s mind. He felt his face warm to a crimson hue as he thought about it. One of the jocks tripped Ralphie; Lindy had tried to come to his aid—only to be stunned with a right cross that Lindy never saw coming. To add insult to injury, the jock, Trey Donaldson, had followed that with a punch to the gut, which caused Lindy to double over and throw up all over Ralphie and the floor.

The hallway echoed first in laughter and then disgust when Lindy hurled. Although neither had actually thrown a punch, Ralphie and Lindy were both summarily suspended. 

Donaldson slipped away amongst the throng of teenagers fleeing the odor.

They knew Donaldson would be at the mall. He worked there at a sports shop, selling athletic equipment, called Cleats or some such shit. They had seen him there one day―working the counter like he was a real adult. If they couldn’t get him, Ralphie suspected that Lindy would settle for anyone who got in his way.

He waited by the entrance to the mall facing the four lane boulevard, avoiding eye contact and smoking nervously.

Ralphie wore the same type of duster jacket, a spiked dog collar around his neck, and a pair of black tinted steampunk sunglasses. He saw Lindy cross the street in front and laboriously strut across the parking lot toward him. Lindy’s duster seemed heavily weighted down, and Ralphie suspected that he had brought all of his pistols: the forty caliber Glock, the nine millimeter Smith and Wesson model fifty-nine he had purchased under the table, and the AMT Back-up he had taken from his mom’s underwear drawer. She had bought the small pistol a few years ago after one of her customers started stalking her. Luckily, she had him barred from the casino and that seemed to be the end of it.

Ralphie took one last drag off his cigarette, a Parliament, and flicked it to the curb, drawing a cold stare from a young father escorting his toddler towards the door. The man looked about to say something, but the hulking appearance of Lindy passing by caused an immediate reevaluation of the situation. Instead, he quickly picked up his son, gave the punks a wide berth, and entered the mall.

“You bring it?”

“Yeah, sure, just like you told me,” said Ralphie, reaching into his pocket to draw it out.

“Not here.” Lindy cautioned as he leaned closer to whisper, “We hit the bathroom by Cleats, grab a stall, lock and load, and wait outside the store for the cocksucker to show up. Then, we rock and roll!” Lindy smiled a leering, toothy grin that struck Ralphie as particularly evil. He didn’t want to be here, but he was afraid to back out.

Lindy strode purposefully toward the door, threw it open and beckoned for Ralphie to follow. The bigger teen put his arm paternally around Ralphie and said, “It’s OK, Ralphie― the sign says firearms are not allowed―it will be like shooting fish in a barrel!” He laughed and ushered the smaller teen through the door.

Ralphie felt the coolness of the air conditioned interior waft over his face and he shivered. If he ran, he suspected that Lindy would shoot him in the back, so he continued walking as if in a trance, toward what he felt was a fatal inevitability.

***
Captain Kyle Christiansen was a Marine with the Second Marine Special Operations Battalion, having just returned from a six month deployment in the Nahr-e Saraj district, Helmand Province as part of the Special Operations Task Force–West. This meant he was operating in arguably one of Afghanistan's most war torn regions. It’s hard to pick a loser in a country filled with violent shitholes, but Nahr-e Saraj could be equated with living in the worst gang infested neighborhood in Chicago, in terms of violent shootings.

After graduating high school, he attended Brigham Young University and received a degree in Information Systems, completing the requisite course of study in roughly half the time. During the summer, he attended the Missionary Language School and received certifications in Spanish and several indigenous languages including Quechua, the largest surviving indigenous language in the Americas, spoken by between 8 and 12 million speakers.

Since Kyle proved an apt pupil, he also studied the lesser known language of Yanomami, spoken by a group native to the high jungle plains of Venezuela. Kyle spent the year after graduation living among the Yanomami in a rural community along the Oronoco River in southwestern Venezuela.

He built PCs in his spare time and supported himself throughout college by selling them to fellow students. Half a dozen high tech companies, including Apple and Dell offered him a job, but he had other ideas.

Frustrated by the potential to live out the rest of his life as just another IT executive in a multinational tech company, Kyle applied to be an Officer Candidate at the Marine Corps Officer Candidate Course (OCC). He graduated at the top of his class and obtained a Military Occupational Specialty as a Communications Officer―basically the same role he hoped to escape by joining the Corps. After Advanced Training and one boring assignment supervising a staff of IT Specialists at Camp Pendleton, Kyle sat through a recruiting session for MARSOC at the base theater.

Normally, they would not be interested in computer geeks, but even the knuckle draggers of MARSOC occasionally needed to use computers. Too bad they had yet to make a “punch to operate” keyboard, he thought after seeing some of these snake eaters up close.

Capt. Christiansen had orders assigning him temporarily to the Marine Corps Special Operations Command (MARSOC), a two star billet under the US Special Operations Command. They had kept him in the dark about the mission, but that wasn’t unusual.
Everything in the military was on a need to know basis, even though he had a Top Secret/ Special Compartmented Information clearance with a mandatory lifestyle and Counter Intelligence Polygraph. The lie detector tests meant he was supposed to live a relatively clean and sober existence as part of the government’s risk management strategy.

Kyle was also a devout Mormon, which meant he was equally religious and patriotic―with the additional benefit of living a temperate life. In short, his lifestyle made the need for a polygraph wholly superfluous.

Kyle, however, was not without his guilty pleasures―it would be too much of a reach to call them vices. On occasion, he indulged his weakness for movies and attended the cinema. He liked history and had a particular fascination with American Indians, as they were believed by the Mormons to be a lost tribe of Israel.

The movie Pathfinder was opening nationwide and Kyle thought it might be an interesting film. It involved two of his favorite historical groups: American Indians and Vikings. He figured he would kill the evening with a cheeseburger, milkshake and a movie.

It was Wednesday afternoon and he had just graduated from the HAHO Course conducted by the Airborne Mobile Training Team (AMTT), a MARSOC Team that supported the line battalions by providing on the road parachute training from basic static line, up to and including high altitude jumps. They had pulled him from a choice assignment as the Executive Officer, or XO, with the Marine Special Operations School at Camp Lejeune and rushed him to the High Altitude High Opening (HAHO) course so he could “strap hang” with a bunch of Marines from the 3rd Battalion and learn the ins and outs of high altitude parachuting.

HAHO jumps are primarily used to clandestinely insert Special Operations Forces into hostile territory. Opening the canopy at a high altitude allowed the jumper to navigate over large stretches of terrain of forty miles or more while remaining relatively hidden from casual observation of the night sky. The only problem was the lack of oxygen at high altitude. The jumper would need to use bottled oxygen to compensate.

The course was only designed to give him a basic understanding of the skill that he was curtly informed he would need to master for his follow on mission. He was also told there might be some time squeezed in during mission prep to allow for a few practice jumps. Kyle hoped he could sufficiently master the requisite skill so as not to hinder the success of the mission or be a burden to his teammates.

Kyle was ready for whatever the future and MARSOC held for him and he had just one more night to spend in Utah as a dedicated aviation asset would transport him directly to MARSOC Headquarters the following morning.

The cab dropped him off at the west entrance to the Wendover Galleria, directly across from the Multiplex Cinema. The movie didn’t start until six forty, so Kyle headed to the mall’s food court for a burger and shake. He bought a Big Mac with extra cheese and a chocolate shake at Mickey Ds and settled down at a brushed aluminum table to wolf it down. The burger disappeared in four bites and he turned his attention to the shake.

It was then that he looked up through the atrium and spied two teenagers wearing ankle length oilskin coats, milling around nervously and talking in hushed tones. Both had their hands thrust deeply into the pockets of their dusters, which seemed to indicate they were both holding something in their hands. The combination of over four years of rigorous training in Recon and then MARSOC’s Individual training Course and two combat tours told him that something was seriously wrong. He got up and started to head to the escalator directly in front of him and heard the unmistakable sound of a pistol round firing and echoing throughout the hallway.

Kyle broke into a run at full speed, reaching the escalator and taking the stairs four at a time, ordering others in front of him out of the way with a loud and stern command of, “MOVE!”
He reached the top of the escalator and immediately sought cover behind the landing. A guardrail of tempered glass holding large rectangles of polished steel surrounded the atrium. The metal rectangles would partially shield him from observation until he reached the corner and then he would be exposed. He would have to hope the shooters were otherwise occupied.

He high crawled to the corner of the atrium and peeked around the corner. He was shocked by what he saw; at least ten patrons cowered on the tile floor as the two teenagers fired randomly at those fleeing the scene.

This was not going to get any better with time and that same constraint meant his plan would have to be simple. Kyle instinctively reached for the personal sidearm he customarily carried and cursed as he remembered that he hadn’t taken it with him to Utah. He figured that sooner or later, the teens would notice one of the cowering patrons and the body count would start. Kyle exploded forward from the crouch, closing the approximate 40 feet between him and the shooters in about three seconds― it seemed like forever. He specifically targeted the larger teen as he appeared the greater threat.

The teen partially had his back to him, pointing the weapon at a blond haired youth sprawled on the floor in front of him. Kyle drove his shoulder into the middle of the fat teen’s back with the linear force of 220 pounds of lean muscle mass moving at fifteen miles per hour. The impact sent Lindy careening forward, his chin hitting the tile floor with an audible crack. One of the pistols clattered to the ground and Kyle scrambled after it, snatching it off the floor and leveling it at the other teen, just as a forty five caliber round struck him in his right shoulder.

Kyle uncharacteristically swore under his breath and felt the pistol begin to slip from his hand. Luckily, MARSOC had trained him to fire with his weak hand. He reached over with his left hand and grabbed the Glock from his now lifeless right arm.

Another round shattered against the tile wall behind him and Kyle knew he didn’t have much time. He raised the Glock toward the skinny teen and squeezed off three rounds in rapid succession.

All three bullets struck Ralphie in his birdlike chest, killing him before his body reached the floor. Kyle visibly sighed in relief and then felt the cold rush of adrenaline induced anxiety when he realized he had forgotten about the other teen.

He turned just as Lindy fired the AMT Backup until it was empty―four of six .380 caliber rounds struck Kyle in his midsection. He felt the impact of the small rounds followed by the immediate pain associated with a gut wound, and knew it was bad.

Even in dying, there was always something left to do and Kyle felt he would be damned forever if he let this unrepentant sinner escape divine justice delivered by a human proxy. He expertly aligned the front sight post of the Glock with the rear sight and emptied the remaining rounds into Lindy Ray Boylin’s chest and head―thus prematurely ending a misguided and wasted life before it could do any more damage.

The police cars arrived on the scene twelve minutes after the first 911 call was made. The first two man patrol to respond found little more than a bunch of hysterical shoppers and three dead bodies. Had Kyle Christiansen not been there, a lot more people would have died. A detective removed Kyle’s wallet from his body, found his military ID and called Hill Air Force Base to see if he was assigned there. “A Marine Captain,” he said to no one in particular. After a few minutes, he got his answer.

The detective made a cursory inspection of the bodies of the teenagers and found the bullets had been delivered with the exactness of someone well versed in precision shooting. He interviewed several witnesses and began to take statements and they all basically said the same thing. “It would have been a lot worse, had it not been for a good guy with a gun.”
The detective looked at the dead body of the Marine that one of the uniformed cops had covered with a blanket acquired from a nearby store and then did something he hadn’t done in over a decade. He smartly brought the heels of his rubber soled shoes together, conveyed the knife edge of his hand up to the side of his head and saluted the dead Marine. 

“Godspeed, Sir!”

At eight thirty five that evening, the duty officer at the MARSOC Sensitive Compartmented Information Facility was notified by the staff duty officer that an incoming team member for a pending contingency mission had been killed and was therefore, no longer available for temporary duty at the Command.

StarfishPrime (1)

Michael Blackfox thought he'd left Marine Force Recon behind, but they had other ideas

The best trained man for a high risk mission is dead and Blackfox is uniquely qualified to be the heir apparent. The trouble is he and his father are currently fugitives on the run from the law.

˃˃˃ Marine Special Operations roughly brings Michael back into the fold, while allowing his father to be arrested and extradited. If Michael cooperates, the government will go easy on his dad.

A Russian arms dealer recovers an ICBM from Iraq during the invasion and sells it to the Iranians. They commission him to reconfigure the missile as an electromagnetic pulse weapon that, if fired, will destroy all electronics in the United States--effectively plunging the country back to the nineteenth century.

The launch pad and assembly building are deep within the Venezuelan jungle. The missile's telemetry system is hosted by a closed network. Michael's job is to parachute into the jungle with a team of Marine Special Operators, hack into the network and deliver a virus that will destroy the missile, while making it all look like an accident

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Genre - Action, Adventure
Rating – PG
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Website www.tsoneil.com


 

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