Friday, July 26, 2013

Author Interview – Alana Cash

at 5:30 AM

What genre are you most comfortable writing? Stories.  Fiction or nonfiction, I like to write stories.  If you look at my blog, that’s all there is – stories of my adventures – stories of my friends’ adventures.
The genre I have difficulty with is the one I’m dealing with write now – writing nonfiction in a linear fashion – nonfiction in which I do not see a story in my mind.
Have you developed a specific writing style? Yes.  Rather than describe someone in prose, I prefer to do it in dialogue.
Sometimes I do not write in complete sentences.  I write a phrase.  I write a word.  Because that is how we actually think.  We don’t think in complete sentences.  However, more often I do use complete sentences.  I had an editor try to remove those incomplete sentences/phrases, making them into sentences.  But that wouldn’t have been my storytelling.
In “Dam Broke,” I didn’t give the narrator a name because the story is told in first-person and she and her friend had known each other for seven years and they wouldn’t be using names.  However, an editor decided to insert a name and call her “Linda.”  What!  So, I used her name, Annabelle, once in the story (and removed “Linda”).
Will I write other books in this same genre? Sort of.  HOW YOU LEAVE TEXAS is four separate stories about four young women who live in different Texas cities and leave Texas for different reasons.  What I am writing currently is a series of short stories about a girl growing up as a military brat.  The stories are sequential and they will read more like a novel when I get them finished.
Have you started another book yet? Yes, I have started the book about a girl growing up as a military brat.  I have two stories that have already been published – one of them won and award.  I have drafts of about seven other stories.  I need to edit those stories and write a few more.  Sounds simple, but just putting that down in writing that made me want to take a nap.
HOW YOU LEAVE TEXAS is a volume of four unique stories about four young women who leave Midland, Austin, Fort Worth and Mayville, Texas for New York, California, Jakarta, and in one instance, jail. These young women seek escape from boredom and sorrow and find it. Told with humor and pathos, here are the synopses:
DAM BROKE – after high school graduation, two quirky best friends reveal big secrets.
“In sixth grade, I abandoned the reading glasses for a blond wig and a fake mole above my top lip. Mickey started wearing sunglasses indoors and carrying business cards.”
—–
CAMILLE’S NET WORTH – on her 40th birthday, Camille’s life falls apart in uncontrolled demolition. Life improves when she gets a job creating art paper and returns to painting. But the plot twists and she ends up in jail, laughing.
“I’m not going to spend much time repeating myself,” Camille said, “I want you to remove whatever you want to keep from this house. You can store your stuff in a rental truck if you need to until you find a new home, but you will be gone from here by midnight and never return.”
“You can’t do that!”
“If you are not gone by midnight, I will set fire to the house.”
——
KRYSTAL’S WEDDING – Heading for New York, Krystal leaves behind her shoddy family in Midland, Texas. Ill-prepared for the culture shock and expense, she takes a few slippery steps before she finds true independence.
“Krystal’s family wasn’t an American success story. Mom felt like life had cheated her since Daddy never made any real money and spent most nights getting drunk at the Welcome Inn. Erin never finished beauty school and worked at a donut shop. Bethany worked as a bar-back at the Rusty Nail and was turning out like Daddy. Alcoholic, back-slapping, charming. Eddie Garthwaite, owner of Garthwaite Used Cars located on Interstate 20 between Midland and Odessa. Eddie Garthwaite who currently had his driver’s license suspended because of a DUI.”
—–
FRYING YOUR BURGER – Nicky and her friends spend mornings slinging repartee in a coffee shop. While paying a traffic fine, she meets a director and soon finds herself a pawn for two directors trying to ruin each others careers.
“I went into the room marked Cashier and got into a long line. And there he was. Grinning that grin. He should have had a license for it. It was that bright. I stood next to him in my white t-shirt and white pants looking like someone straight out of the ‘hospital orderly fashion catalogue.’ It was all I had clean that day.”
Buy Now @ Amazon
Genre –  Women’s Fiction
Rating – PG13
More details about the author
Connect with Alana Cash on her

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